Kuenta i Tambu
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Then meets now through hard kicks and hooky synths, the gritty good times that spawned bass music’s tropical, global offshoots, from baile funk to moombahton. Taking up the sounds that evolved in Dutch clubs and mashing them effortlessly with the group’s percussive, evocative Caribbean roots, Kuenta i Tambu proves how easily traditional grooves can move in new, unexpected ways.
Though as fresh as M.I.A. or Major Lazer, Kuenta i Tambu’s music began long ago and far away. On Curaçao, an island in the Caribbean close to the coast of Venezuela, history remains very much alive. Originally home to the Arawak Indians, it was conquered by the
Spanish in 1499 and became Dutch in 1634. But in many ways it’s almost an outpost of Africa, a first stop for slave ships on their journey to South America, and the influence of another continent is still powerful. For centuries, the people have celebrated with drums and singing, styles like seú, muzik di zumbi (music of the spirits), and above all, tambú.
When Roël Calister, a Curaçao-born percussionist who moved to the Netherlands, began his career, it was with the traditional music of his homeland, everything he’d learned as he grew up. The band he founded in 2005, Kuenta i Tambu, played and sang acoustically. It even infused the material he composed. But in 2010 a sea change happened, following a change in band membership.
“Like a lot of people, we were listening to hip-hop, to dance music,” Calister recalls. “We started experimenting with beats and electronics to give our music the feel that fascinated us in European electronic music, music we really loved. We released an EP and
the style we call Tambutronic was born.” Since then Kuenta i Tambu have evolved and refined their music. They’ve introduced Tambutronic music to several continents and added a new singer, Diamanta, to make them into a five-piece.
“The people there are very proud that we took the step to give the old music a new look,” Calister says. “We stay true to the roots but we also give the island its own voice in the modern world.” Older folks, familiar with the tradition, hear it in the music while youngsters who’ve grown up with American hip-hop, R&B and the global flavor of dance music, hear their own world reflected at them. And that’s an important way to keeping the past alive and strong.
Live, Kuenta i Tambu are a non-stop Carnival, a riot of beats and rhythms that take the audience deep into the Caribbean. Above all, though, it’s obvious that the musicians enjoy playing the music and the live percussion thunders through the air.
“We have fun,” says Calister, “and that’s the key.”
Tambutronic: where Curaçao’s past dances with its future and takes on the world.